lunes, 28 de septiembre de 2009

Pasado - Fitzgerald

lunes, 28 de septiembre de 2009

Frase del día
Y así vamos adelante, botes contra la corriente, incesantemente arrastrados hacia el pasado.
Francis Scott Fitzgerald
enviar frase a un amig@Pasado
Servicio cortesía de Proverbia.net

domingo, 27 de septiembre de 2009

La verdadera historia de Hamlet, príncipe de Dinamarca

Fuente:

http://eldrakkar.blogspot.com/2009/08/la-verdadera-historia-de-hamlet.html

Información:

jueves 6 de agosto de 2009

La verdadera historia de Hamlet, príncipe de Dinamarca


Saxo Grammaticus, historiador danés, vivió aproximadamente entre 1150 y 1220. De su vida poco se sabe, aparte de que se cree que nació en la isla de Zelanda (Dinamarca) y que fue secretario del arzobispo Axel Absalón desde 1180 hasta 1201. Es conocido por su Gesta Danorum o Historia Danesa, texto datado en el siglo XII, que guarda la historia antigua de los daneses en dieciséis tomos escritos en latín.

Parece ser que fue el rey danés Valdemar I el que le hizo el encargo. La obra incluye traducciones de piezas vernáculas que reemplazan a las originales, perdidas en el tiempo. Versa sobre la historia más antigua de Dinamarca, desde el rey mitológico Dan hasta el 1185 aproximadamente. Los nueve primeros libros de Gesta Danorum están dedicados a mitos y leyendas, incluyendo muchas viejas canciones y poemas; los siete últimos describen, principalmente, guerras y hazañas de los reyes de Dinamarca y sus huestes hasta su época.

Su elegante latín y sus conocimientos sobre la antigua Roma, presentes en la Gesta Danorum, hacen suponer que se educó fuera de su país, quizá en alguna de las grandes escuelas eclesiásticas de Francia. Saxo Grammaticus no fue su nombre real, recibió el apelativo grammaticus, término latino para un maestro de letras, en el Compendium Saxonis de la 'Chronica Jutensis', hacia 1342.

El otro motivo por el que es reconocido Saxo es porque en los libros III y IV de su obra magna se desarrolla la historia del príncipe Amled (aunque se cree que originariamente esta leyenda pertenece a la desaparecida saga islandesa de Almódi o Amleth, que Saxo Grammaticus reversionó en su Gesta Danorum), la cual se supone que inspiró el Hamlet de William Shakespeare. ¿Cómo? La Gesta Danorum fue traducida libremente al francés por François de Belleforest en 1570 con el título de Histoires tragiques. En 1608 Thomas Kyd publicó una versión inglesa de la obra de Belleforest titulada The Hystorie of Hamblet y ésta, también conocida como el Ur-Hamlet, podría ser la fuente directa utilizada por Shakespeare.

La historia del Amled de Saxo

En los días de Rørik Slyngebond, rey de Dinamarca, Gervendill era gobernador de Jutlandia, quien fue sucedido por sus hijos Horvendill y Feng. Horvendill, tras volver de una expedición vikinga en la que había matado a Koll, rey de Noruega, se casó con Gerutha, hija del rey danés Rorik, que le dio un hijo al que llamaron Amled. Pero Feng, enfermo de envidia, asesinó asu hermano y persuadió a Gerutha para que se convirtiera en su esposa. Amled, temeroso de compartir el destino de su padre, finge ser imbécil, aunque su tío le pondrá varias pruebas para desenmascararlo. También trataron de unirlo a una hermosa muchacha, su hermanastra, pero su astucia lo salvó.

Sin embargo, cuando Amled mata al curioso oculto en el aposento de su madre, Feng sabe a ciencia cierta que el príncipe está fingiendo su idiotez. Así, lo envía a Inglaterra en compañía de dos asistentes que llevan una carta para el rey extranjero, en la que se le pide que dé muerte a Amled. Éste descubre su contenido y cambia el mensaje para que el rey inglés ejecute a los ayudantes y le conceda a él la mano de su hija. Tras la boda, Amled regresa a su reino con una parte del oro que ha reunido y llega a tiempo para el banquete de su propio funeral. Allí pone en marcha su venganza: emborracha a los cortesanos, prende fuego al palacio y atraviesa con su espada a Feng, asesino de su padre. Luego, se proclama rey.

Amled regresa a Inglaterra en busca de su esposa, pero descubre que tanto el rey inglés como el finado Feng se habían jurado mutuamente vengar la muerte del otro. Entonces, el rey inglés lo envía a conseguir la mano de la reina escocesa Hermuthruda, quien mataba a todos sus pretendientes, pero que, en esta ocasión, se enamora de Amled y se casa con él. A su regreso a Inglaterra, su primera esposa le cuenta la verdad de la venganza de su padre y se enfrentan en una batalla. Amled ganó el primer día e hizo empalar a los caídos enemigos, lo que aterrorizó al personal. Después de esto, volvió a Dinamarca con sus dos esposas, donde encontró la enemistad de Wiglek, sucesor de Rorik. Amled murió luchando contra éste y Hermuthruda, aunque había jurado morir con él, se casó más tarde con el vencedor.

http://isone.blogspot.com/2008/07/saxo-grammaticus-y-el-prncipe-amled.html

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Royal deceit / Prince of Jutland (1994)
Título español: La verdadera historia de Hamlet, príncipe de Dinamarca

Dirigida por Gabriel Axel. Con Christian Bale, Gabriel Byrne, Helen Mirren, Kate Beckinsale

Durante Siglo VI, Helen Mirren es la reina de Jutlandia quién protegerá a su hijo Amled, interpretado por Christian Bale, al ser demasiado inocente para adivinar las intrigas de su tío. La gran baza es precisamente Gabriel Byrne, quién perfila a éste tío maquiavélico, cegado por las ansias de ser rey. Fenge mata a su hermano, el rey, y a uno de sus sobrinos. Amled logra escapar fingiendo locura pero el joven planeará su venganza.

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Warfare - The Viking Age Wiki

Fuente:

http://vikings.wikia.com/wiki/Warfare

Información:

Warfare

From The Viking Age Wiki

Our knowledge about arms and armour of the Viking age (8th to 11th centuries Europe) is based on relatively sparse archaeological finds, pictorial representation, and to some extent on the accounts in the Norse sagas and Norse laws recorded in the 13th century.

According to custom, all free Norse men were required to own weapons, as well as permitted to carry them at all times. These arms were also indicative of a Viking's social status. A wealthy Viking would have a complete ensemble of a helmet, shield, chainmail shirt, and animal-skin coat, among various other arms and accoutrements of war. A less well-off man, however, could only afford a single weapon and perhaps a shield.

The spear and shield were the most basic arms and accoutrements of the Viking warrior. Most would probably also wear a knife of some description, commonly of the seax type which was common in Dark Ages' Europe. As an alternative, or perhaps in addition to the spear, a warrior might carry a bow or axe. The wealthiest Vikings would have worn a sword in addition to his main arms and have had access to body armour, such as a helmet and a mail hauberk.


Four 9th-10th cent. Viking arrowheadsBows were used both for hunting and in battle. They were made from yew, ash or elm trees. The draw force of a 10th century bow may have reached some 90 pounds force (400 N), resulting in an effective range of at least 250 m. A bow found at Viking Hedeby, which probably was a full-fledged war bow, had a draw force of well over 100 pounds. A unit of length used in Icelandic law (the Grágás) called a bowshot (ördrag) corresponded to 480 m.

Arrowheads were typically made from iron and produced in various shapes and dimensions, according to place of origin. Most arrowheads were fixed onto the arrow shaft by a shouldered tang that was fitted into the end of a shaft of wood. Some heads were also made of wood or antler. Evidence for eagle feather flights has been found with the feathers being bound and glued on. The end of the shaft was flared with very shallow self nocks, although some arrows possessed bronze cast nocks.

The earliest find of these relics were found in Denmark, seemingly belonging to the leading-warrior class, as per the graves in which they were discovered.

Contents [hide] 1 Spear 2 Shield 3 Knife 4 Sword 5 Axe 6 Atgeir 7 Armour 7.1 Helmet 7.2 Mail 7.3 Lamellar 8 Archaeological finds 9 Saga accounts 9.1 Battles 9.2 Duels 10 Images 11 External links 12 References


[edit] Spear The spear was the most common weapon of the Viking warrior. Spears consisted of metal heads on wooden shafts of two to three meters in length. The heads could measure between twenty and sixty centimetres, with a tendency towards longer heads in the later Viking age. Spear heads with wings are called krókspjót (barbed spear) in the sagas. Some larger-headed spears were called hoggspjót (hewing spear) and could also be used for cutting.

The spear was used both as a throwing weapon and as a thrusting weapon. Most evidence indicates that they were used in one hand. Limited evidence from a saga indicates that they may have been use in two hands, but not in battle.


[edit] Shield The shield was the most common means of defence. The Viking shield was typically round, being a successor to earlier Germanic shields with a diameter of around 80–90 cm or more and a typically thickness of less than 10mm, made of planks of woods such as fir, pine, willow or linden. It usually had a central hole with a hand grip, the hand being protected by a metal boss. Shields were likely covered with rawhide or leather. The Gokstad ship has places for shields to be hung on its railing, and the Gokstad shields have holes along the rim for fastening some sort of non-metallic rim protection. Some Viking shields may have been decorated by simple patterns, although some skaldic poems praising shields might indicate more elaborate decoration and archaeological evidence has supported this. Towards the end of the Viking age, the Norman kite shield came into fashion.


[edit] Knife See also: Seax

The Seax was in widespread use among the Migration period Germanic tribes, and is even eponymous of the Saxons. It appears in Scandinavia from the 4th century, and shows a pattern of distribution from the lower Elbe (Elbe Germans) to Anglo-Saxon England. While their popularity on the continent declines with the end of the Migration period, they remain in frequent use in both England and Scandinavia throughout the Viking Age.


[edit] Sword Main article: Viking sword Owning a sword was a matter of high prestige. A sword mentioned in the Laxdæla saga was valued at half a crown, corresponding to the value of 16 milk-cows.

The Viking sword was for single-handed use to be combined with a shield, with a blade length of typically 60–80 cm. Its shape was still very much based on the swords of the Dark Ages and on the Roman spatha, with a tight grip, long deep fuller, and no pronounced cross-guard.


[edit] Axe See also: Danish axe

Based on the everyday tool for splitting wood, axes specialized for use in battle evolved, with larger heads and longer shafts. Some axe heads were inlaid with silver designs. In the later Viking era, there were axe heads with crescent shaped edges measuring up to 45 cm, called breið-exi (broad axe).


[edit] Atgeir Main article: Atgeir A polearm known as the atgeir is mentioned in several Norse sagas and other literature. Atgeir is usually translated as "halberd", but may have been more akin to a glaive.


[edit] Armour

[edit] Helmet Helmets from the Viking Age are very rare - only one example is known to exist.[1] This Viking helmet was made of iron and was in the shape of a rounded or peaked cap made from four plates after the spangenhelm pattern, and was excavated from Gjermundbu, Norway, and dated to the 10th century. This helmet has a rounded cap with no horns on top and has a "spectacle" guard around the eyes and nose, in addition to a possible mail aventail. The eyeguard in particular suggests a close affinity with the earlier Vendel period helmets. From runestones and other illustrations, we know the Vikings also wore simpler helmets, often peaked caps with a simple noseguard. Unlike what is often shown in popular culture, there are no sources that prove that Viking helmets had horns mounted on them.


[edit] Mail Once again, only a single fragmented but possibly complete mail shirt has been excavated in Scandinavia, from the same site as the helmet - Gjermundbu in Norway. Scandinavian Viking age burial customs seems to not favor burial with helmet or mail armour, in contrast to earlier extensive armor burials in Swedish Valsgärde.The mail shirt is currently interpreted as elbow-and-knee length. Probably worn over thick clothing, the mail shirt will protect the wearer from blows that get past his defence. Mail was very expensive in early medieval Europe, and would only have been worn by rich warriors. Mail armour of this type may also be known as a byrnie.


[edit] Lamellar More than thirty lamellae (individual plates for lamellar armour) were found in Birka, Sweden, in 1877, 1934 and 1998-2000.[2] They were dated to the same approximate period as the Gjermundbu mailshirt (900-950AD) and may be evidence that some Vikings wore lamellar armour.


[edit] Archaeological finds Coppergate Helmet Gokstad Ship Oseberg Royal Mounds Sutton Hoo Thorsberg bog Valsgärde Vendelhi

[edit] Saga accounts

[edit] Battles Battle of Hafrsfjord Battle of Hastings Battle of Hjörungavágr Battle of Svolder Battle of Nesjar Battle of Stiklestad

[edit] Duels Kormakssaga, holmgang of Kormak and Bersi

9th to 13th Century Swords

Fuente:

http://heronarmoury.co.uk/index.php?page=swords/9-13

Información:

9th to 13th Century Swords

Broadswords Swords Seax

  1. Broadswords
  2. Narrow swords
  3. Seax

2006

Eddas - The Viking Age Wiki

Fuente:

http://vikings.wikia.com/wiki/Eddas

Información:

Eddas

From The Viking Age Wiki

The term Edda (Plural: Eddas or Norse plural: Eddur) applies to the Old Norse Poetic Edda and Prose Edda, both of which were written down in Iceland between the 8th- and the 13th century.

Contents [hide] 1 Etymology 2 The Poetic Edda 3 The Prose Edda 4 External links


[edit] Etymology There are several theories concerning the origins of the word edda. One theory holds that it is identical to the word that seems to mean "great-grandmother". (See Ríg.) Another theory holds that edda derives from Old Norse óðr, "poetry." A third is that it means "the book of Oddi", Oddi being the place where students (including Snorri Sturluson) were educated. The most plausible idea is that the word was coined as a diminutive of Latin "edo" (I compose [poetry]) in imitation of Old Icelandic "kredda" (superstition), which is derived from Latin "credo" (creed, literally 'I believe'). See www.VSNRweb-publications.org.uk/Edda.pdf


[edit] The Poetic Edda Main article: Poetic Edda The Poetic Edda, also known as Sæmundar Edda or the Elder Edda, is a collection of Old Norse poems from the Icelandic medieval manuscript Codex Regius ('The King's Manuscript'). Along with Snorri's Edda the Poetic Edda is the most important source on Norse mythology and Germanic heroic legends. The first part of the Codex Regius preserves poems that narrate the creation and destruction of the Old Norse mythological world as well as individual myths about gods such as Odin, Thor and Heimdall. The poems in the second part narrate legends about heroes and heroines such as Sigurd the Dragonslayer, Brynhildr and Gunnar.

The Codex Regius was written down in the 13th century but nothing is known of its whereabouts until 1643 when it came into the possession of Brynjólfur Sveinsson, then Bishop of Skálholt. At that time versions of Snorri's Edda were well known in Iceland but scholars speculated that there once was another Edda - an Elder Edda - which contained the pagan poems Snorri quotes in his book. When the Codex Regius was discovered it seemed that this speculation had proven correct. Brynjólfur attributed the manuscript to Sæmundr the Learned, a larger-than-life 12th century Icelandic priest. While this attribution is rejected by modern scholars the name Sæmundar Edda is still sometimes encountered.

Bishop Brynjólfur sent the Codex Regius as a present to the Danish king, hence the name. For centuries it was stored in the Royal Library in Copenhagen but in 1971 it was returned to Iceland.


[edit] The Prose Edda Main article: Prose Edda The Younger Edda, known also as the Prose Edda or Snorri's Edda is an Icelandic manual of poetics which also contains many mythological stories. Its purpose was to enable Icelandic poets and readers to understand the subtleties of alliterative verse, and to grasp the mythological allusions behind the many kennings that were used in skaldic poetry.

It was written by the Icelandic scholar and historian Snorri Sturluson around 1220. It survives in seven main manuscripts, written down from about 1300 to about 1600.

The Prose Edda consists of a Prologue and three separate books: the Gylfaginning, concerning the gods' creation and destruction, the Skáldskaparmál, a dialogue between Ægir, the god of the sea and Bragi, the god of poetry, and the Háttatal, a demonstration of verse forms used in Norse mythology.